Archive for the 'Yoga Poses' Category

Warning: skipping savasana could be hazardous to your health.

Wednesday, September 23rd, 2009
asanaPose of the Month
WARNING: Skipping SAVASANA could be hazardous to your health!!!

this article is dedicated to all those yoga teachers out there who have struggled to teach their students the value of savasana.

savasana Recently in class, just as I took my last ujjayi breath and wiggled my body into a happy quiet place, the woman next to me started rolling up her mat, and the woman in front of me started shoving her yogitoes into her mat bag, and the woman two rows over sprayed off her block.  One by one, four students in the class skipped savasana, packed up and left, shuffling through the room, opening the door, letting in the cold…disturbing the peace.

Throughout the process of a yoga class, many wounds are opened.  It’s like removing the bandages on the wounds of life to get some air.  We start slow with an integration series, and slowly, piece by piece, we peel away the bandage.  Sometimes it sticks to the wound and opening the energy is a little painful.  Other times the fresh air feels nice.  By the floor series, the wounds are fully exposed.  The exposure is good, allowing the rawness inside us to breathe.  Now, a doctor wouldn’t undress a wound, clean it, and send you back out onto the streets raw and exposed.  A nurse would lovingly redress the wound and provide instruction for promoting further healing on your own.  The same is true for a yoga class.  Every yoga class ends with a savasana, usually a namaste or closing chant, and a diligent teacher reminds students to drink plenty of fluids and keep smiling.  Savasana is the re-dressing of the wound.  The sealing of the energetic space to provide protection.  A similar procedure is offered in an energetic healing session such as Reiki, Healing Touch, Qigong, or even a simple Swedish Massage.  It is a necessary component of the process to offer protection and further the healing.

When you skip savasana in your own practice, you are leaving class as an open channel to receive whatever energies come your way.  Imagine it, you spend almost ninety minutes sweating, detoxing, breathing, and working to bring yourself to a pleasurable state of bliss, then you leave early because you have to get to an appointment. As you open the door to leave there’s bound to be one or two yogis in savasana slinging a couple of energetic arrows of disgust for your rudeness your way.  Those arrows hit you in the back and they are coated with yogic love, so you don’t notice them right away.  But, when you get to your car, suppose there’s a parking ticket on your windshield.  It doesn’t really bother you at first, but what you don’t realize is that the meter maid was in a particularly pissy mood that morning, and she was taking out her aggressions on the cars with expired meters.  Her anger went into the ticket, and as you picked up the ticket, your wide open energy accepts all that aggression because the filter of savasana pose wasn’t put into place after you left.  Driving out of the parking lot, you get flipped the bird from a man in a hurry.  His middle finger sent a laser beam of aggression right into your heart.  By the time you get to the second stoplight, you’re tapping your own fingers on the steering wheel when the car in front of you didn’t notice the light change right away.  By the time you get to your appointment, thirty minutes after your yoga class, most of the calming effects of the practice have been completely erased by the negative forces you have encountered, and you don’t know how to be sweet with the receptionist when she tells you that your appointment needs to be rescheduled.

This example is superficial in nature.  However, I have worked with a couple of clients who spoke to me about how their worlds had been shattered in more ways than one since beginning a yoga practice, about how they are realizing the hugeness of the traumas of the world on a whole new level, and they don’t know how to handle it.  In each case,  the result was major injury or illness that brought the yoga practice to a screeching halt.  The client had to develop a whole new approach to yoga, learning the value of yin, the power of Sukha (surrender), and the necessity of savasana, as that was the only pose their body allowed anymore.

It’s true.  Yoga opens up the wounds.  It changes your life.  It makes you face your shit.  It’s hard enough to open up your own wounds and face the issues and results of them on and off your own mat without having to deal with the crap of everyone you encounter.

So take savasana.

Allow yourself two minutes (more is better) to redress the wounds, to seal the surface so that you can maintain the blissful state just a little longer each day you practice and not accept other people’s dirt into your rawness.  If you absolutely MUST leave class early, skip the hips or the final twist and take savasana early.

Oh, and be kind to those around you, set yourself up in the back of the room, inform the teacher of your intentions to leave early, and get your little butt out the door before their savasana begins.  The Emily Post of yoga would thank you.

Backbends, Yoga’s espresso shot

Thursday, August 27th, 2009

Tamsy's wheel

My friend Tamsy has always inspired me with her willingness to face the challenges of the world head-on, with a wide open huge heart.  Her facebook profile photo pictured here is indicative of how she evenly balances strength with vulnerability, groundedness with openness in urdva danurasana, aka wheel pose, aka chakrasana, a pose that exposes the inside of all seven major chakra centers.

The Physicality of Backbends
Practiced appropriately, backbends come from leg strength.  The support from the strength of the legs stabilizes the pelvis to a solid center ‘bowl’ from which the spine can lift up and out to extend into full backbend expression.  If the pelvis is not stabilized, it is easy to collapse the spine into the more flexible lumbar vertebrae, resulting in low back strain and pain.  At the same time, the compression that occurs on the back-side of the body in a backbend causes pressure on the adrenal glands.  This is why backbends are often called “yoga’s espresso shot” because the pressure on the adrenals kicks on the adrenaline, thus waking up the system.  When adrenaline is released, the sympathetic nervous system kicks into gear, raising the heart rate and blood pressure.  No wonder classes get buzzing during the wheel series.  Unfortunately, just like a morning caffeine kick can develop into a dependency on diet coke or thrice daily mocha lattes, it is easy for yogis to develop habit-forming backbending addictions, craving nature’s high from the adrenaline within one’s own system.  Power yogis who develop this condition can suffer from symptoms of adrenal exhaustion such as exhaustion laden insomnia, back pain that cannot be relieved by chiropractic adjustments, loss of appetite, weight loss…and many other symptoms similar to someone on speed.  On the flip side, backbends performed safely from leg strength develop strong muscles around the vertebrae, supporting flexibility of the spine and descreasing spinal issues that result in countless chiropractice visits.

The Energetics of Backbends
The full expression of a backbend is energetically the full expression of compassion and loving kindness.  It is a place where forgiveness, sweetness, and connectedness wins out over resentment, anger, and depression.  While the heart chakra has an amazing capacity for love, compassion, forgiveness, and compassion, if it is not properly ‘fed’, like any container, it can get strained.  When the heart chakra is strained, the results can be disastrous: cardiac disease, breast cancer, and asthma. Thus, the heart chakra needs to be ‘fed’ regularly, through energy from from the other chakras, ultimately from the universe through the crown chakra and from the earth through the root chakra.  When a full backbend is evenly supported from the legs, through the pelvis and core into the heart, the energy of the heart chakra is an expression of the unconditional love of Mother Earth flowing through the pleasure center (sacral chakra) and the power center (core chakra) and out our heart center.

So yes, when you need a little kick, try a backbend instead of a latte.  But beware the effects of overdoing it and allow “less is more” to be a mantra when breathing through the sixth wheel.  You just might find yourself healing some very old wounds and reconnecting with some lost loves of your life.  It’s better than Facebook!

Pose of the Month Locust - Salabasana

Friday, June 12th, 2009
locust pose
In the Baptiste Power Vinyasa Yoga practice, after a sweaty and intense standing series, the first pose on the floor is more often than not, salabasana, locust pose.  It is a welcome respite to lay belly down on the floor two thirds of the way through class.  But, class is not over.  In fact, many instructors say that when you get to the floor poses, the “real yoga” is just beginning, that the whole standing series is just warm-up.

photo by Sheryl Braun www.soulshinephoto.net
If you look at your yoga mat as a mirror, or a window to your soul, locust pose is the perfect place to set the intention to open your heart to yourself.  Backbends are heart openers, poses designed to build compassion, foster forgiveness, and express love.  However, we can only love, forgive, and feel compassion for others to the same degree that we offer it to ourselves.  So as we begin locust pose, we are face to face with ourselves in the mirror of our mats.  Then as you lift, imagine your mat as the mirror and see how your heart distorts slightly larger and larger as you lift higher and higher, just as an object distorts longer in a mirror when the mirror is tilted at an angle.  This is symbolic of the energy cultivated in locust pose, our heart energy grows from the center of our chest out into the vast space before our eyes.

The beauty of locust pose is that it is almost impossible to injure yourself while performing this pose (how can we harm ourselves in an expression of self-love).  For those with back injuries, tightness, or pain, locust is an excellent alternative to some of the more intense spine strengthening poses such as bow, camel, bridge, or wheel.  Using only the muscles of your spine to lift your limbs (be sure not to use your hands or arms while lifting) builds the muscles that surround each vertebra from the neck to the coccyx.  Repeated practice of locust pose creates two rope like formations of muscles running up and down the spine, pulling the backbone deeper into the body, and protecting each tender joint of the vertebra with solid strong muscular tissue.  This pose and variations (like superman) is prescribed to many physical therapy clients suffering from back pain.

Alignment

  • lay on your belly with your chin slightly tucked and lift your chest, arms and legs while keeping your neck soft.
  • activate the belly muscles and the thigh muscles to find more strength to lift higher
  • pull your shoulders away from your ears
  • look first down at your mat, as if gazing into your own eyes, then as you lift, watch for the glow of your heart as it extends forward
  • keep the natural curve in your spine both at the neck and the lumbar spine.  overextension of the neck is symbolic of “sticking out your chin” or overextending yourself to fulfill the desires and needs of others before yourself, or can be symbolic of “putting your nose where it doesn’t belong” by letting your nose or face guide the pose instead of your heart
  • remember to alternate which way you look between sets to stretch both sides of the neck.  This energetically teaches your body to look at situations from all different perspectives and viewpoints and helps with forgiveness and understanding.


Modifications

  • arm variations:  bind hands behind your back, gently place hands palms down by the hips to lightly drag mat back and heart forward, interlace hands behind the head, reach arms forward overhead “superman” style, extend arms long by your sides,
  • leg variations:  big toes touch, heels and toes touch, feet six inches apart, legs stay flat on the ground while upper chest lifts
  • leave your forehead on the floor until the strength of your spine lifts it off the floor, this softens tension in the neck
  • place palms and elbows flat together under the body (Bikram style), mouth or chin on the floor, and lift only the legs, strengthening the lower back muscles

Eagle Pose

Friday, May 1st, 2009
Pose of the Month - May
Eagle - Garudasana
eagle poseEagle pose is named for Garuda, a mighty bird whose story is told in the first book of the Mahabharata.  Garuda is said to have brought nectar to earth from heaven. When Garuda first burst forth from his egg, he appeared as a raging inferno equal to the cosmic conflagration that consumes the world at the end of every age.  He was “too big” so to speak, so the gods begged him for mercy, and he agreed to reduce himself in size and energy.

In essence, each of us holds a little bit of Garuda energy inside us.  We are spiritual beings, larger than life, and once we are born into this human world, we reduce ourselves in size and energy.  Our physical bodies are limiting to our spiritual capabilities.  In performing eagle pose, we start large, with arms and legs open and expanded, and reduce our size to pull into ourselves, hold the pose, and then release back into the vastness.  As spiritual beings living a human experience, we are constantly challenged to bring the nectar of heaven to earth, which is what Garuda is known to have done.

photo from www.givingyoga.org

Physically, when we perform eagle pose, we constrict the blood flow of the body at every major joint (ankles, knees, hips, shoulders, elbows, and wrists).  This constriction of the blood flow produces a tourniquet effect, squeezing the blood out of the joint.  While holding the pose and breathing deeply, the heart is able to oxygenate the blood that is not affected by the tourniquet.  When the pose is released, that freshly oxygenated blood from the heart rushes to the dammed points at the joints, like a pressure washer, it cleans out the joints of toxins and poisons.  Energetically, each breath is like a download of Spirit to the physical system, so when the tourniquet effect is released, we are flushing our bodies with the essence of Spirit, that “larger than lifeness”.  By making ourselves small, reducing our size and energy in eagle pose, we are pulling into ourselves to reconnect with the spiritual largeness of our being, to drink of the nectar from heaven and bring it to earth.

On another level, eagle pose is extremely self-nurturing and centering.  On one side, we are wrapping the feminine energies of surrender, nurturing, and support around the masculine energies of action and power and strength.  Our feminine is loving and holding our masculine.  On the other side, we are wrapping the masculine energies of giving and strength and power around the feminine energies of support and surrender.  Our masculine is providing for our feminine.  Thus, this pose is the physical representation of merging our left and right sides of our bodies (see Body Wisdom) or balancing our yin and yang, or equalizing sthira and sukha.  Physical balance of eagle pose on one leg will not occur until you balance effort and grace.  Try too hard and you will fall, relax too much and you will fall.  Find center, and you can hold.

Alignment

  • root the bottom foot deep into the earth and bend the bottom knee as if in chair pose.  The grounding of this pose is important to maintain the connection to our humanity as we tap into the energy of greatness that we learn from Garuda.
  • wrap the top leg over and around the bottom leg, constricting at the inner thighs, knees, and eventually ankles.  Squeeze all light and air from between the legs as you sit deeper into the heel of commitment of the bottom leg.
  • wrap the same arm of the upper leg (if right leg is on top, the right arm is underneath) under and around the other arm, constricting at the inner elbows, forearms, and eventually the wrists.
  • lift the elbows and push the wrists away from the face to access the heart chakra, opening both at the breastbone and the space between the shoulder blades.  This teaches that even when our wings are clipped or restrained, we can access the energy of the heart that extends the wings to full expression.
  • pull the chin in and tuck the tailbone down to elongate the spine, balancing the twisted joints around the length, strength, and stability of the center, the spine.

Modifications

  • if you have tender knees or knee injury, it is not recommended that you wrap the top ankle around the bottom calf muscle.  This can be a strain on the meniscus and the AC join in the knee. Allowing the foot to dangle next to the leg will save the strain on the knee.
  • if balance is an extreme challenge, or you are hindered by foot pain such as plantar fasciitis, using the top foot big toe as a little kickstand on the floor outside the eagle posebottom foot ankle is a nice alternative.  The benefits of this pose then can be focused on the compression at the joints rather than the balance.
  • If wrists are tight or inaccessible to wrap around, the backs of the hands can slap together rather than the palms of the hands.  This will be helpful for those dealing with tendinitis, wrist pain, or tennis elbow.
  • If shoulders are tight or the muscles of the arms are simply too big, wrapping the arms around each other might be simply impossible.  An alternative would be to place each hand on the opposing shoulder in a self-hug, gaining all the benefits of self-nurturing and working to open the heart by pulling the shoulders back.

photo by Sheryl Braun www.soulshinephoto.net

Pose of the Month - Crow Pose - Bakasana

Tuesday, March 31st, 2009


crow pose
The first time a teacher told me to try crow pose, I was practicing to a video at home.  Baron Baptiste’s students made it look so easy on the video, but even in studying photos of the pose, the physics of the posture didn’t seem feasible to me.  First there was the challenge of where to place my knees.  How was I supposed to get my knees up in my armpits, that just seemed weird.  Then, to balance on my hands seemed downright impossible.  But I tried it, and like a child, I fell on my nose, and I laughed and tried again, and again, and again.  It took a good three months of trying it everyday and thinking I’d never get beyond the baby crow of one toe on the ground before I had a split second of balance…just a split second because the excitement of it all overwhelmed me and I laughed myself into a fall again.

(photo from www.yogajournal.com)

But, that little taste of balance, that tiny smidgen of success made it even more fun to try again and again and again, day after day.  It quickly went from the most dreaded part of my practice (I’m never gonna be able to do this)to my favorite part of the practice (maybe today I’ll land it).  Then it happened, one day when I wasn’t even really paying attention, when my practice of teetering on and off my back toe got to be so routine that I could go over my grocery list while trying to balance.  That day, I landed it, and held it for five breaths, and could have held it longer.

That’s how crow pose happens.  It has to come from a place of play, a place of trying without attachment to success.  Crow doesn’t happen by trying; it happens magically when you stop caring if you ever get it.  The balance of crow only occurs when you give up control, perfectionism, and accept what is.

Virtually every time I teach crow pose to crow-virgins, someone falls flat on her face, and LAUGHS.  It may look scary, but the floor really isn’t that far away, and so landing on your face won’t hurt that bad.  It’s more fun to try and “fail” than to sit in self-pity and doubt yourself.  Crow brings us back to the child’s mind, the beginner’s attitude.  ‘If at first you fail, try, try again.’  When kids are learning something new, they fall, the fumble, the look and feel awkward, but they keep trying, they keep experimenting.  They enjoy the process of learning so much that once they master it, they want something more to reach for.  This is what crow pose gives us.  Access to the child’s mind and permission to be messy, sloppy, awkward, and fumbling.

Alignment

  • place hands like down dog.  This is your foundation, so establish a solid flat base at the palms of your hands.
  • at first, bend your elbows back like chatarunga, rotating elbows in towards each other. This pulls the strength into the core and protects the wrist and elbow joints.
  • bring your knees as high up on your triceps (by your armpits) as possible and LEAN into your hands.  Don’t kick up, just lean until one toe comes off the floor.
  • LOOK FORWARD - this is key.  Looking forward gives your body and energy the essential LEAN into the crow position, pulling the toes up off the ground naturally.  If you kick you are likely to go too far with momentum and not establish center balance.  When you depend upon momentum to move you in life, you lose your own sense of personal power.  Crow teaches you to trust your own personal power to lift off and soar.
  • Lift one toe, then lean forward, look forward, lean forward, look forward, lean until the second toe gradually lifts off the ground.  Activate the belly muscles to hold yourself in place.  Think of crow as taking baby steps, that we have to learn things by dipping in our toes, and eventually, letting go of the control.  When you let your last toe lift up, it is trusting of yourself.
  • Once up, drop your seat as close to your heels as possible.  Lift the heels, and drop your seat.  Activating the belly muscles and pulling in and up from the center will give you more lift.
  • Once balanced with the seat on the heels, fan your toes like tail feathers and begin to straighten your arms.
  • BREATHE!  It’s easy to forget to breathe as you are trying to balance, and then you lose the magic of the pose.

Modifications

  • for those with significant wrist pain and injuries, crow pose is contraindicated.  Avoid crow until your wrist is strong and stable again.
  • Baby Crow (one toe down) is a very humbling pose to take as you learn how to fly.  The name often holds the stigma of immaturity, but remember that Baby brings us back to the child mind, and this is where PLAY happens.  Allow yourself to play by switching which toe you use as your base.
  • Squatting Frog is a great option as your wrists ache or you are fatigued.
  • Once you have found flight and balance, begin to play with variations such as side crow and one legged crow.  Don’t let go of the playfulness that emerges with crow.

Adho Mukha Svanasana - Downward Facing Dog

Tuesday, March 17th, 2009

shoulderstandWhen a dog gets up, whether he was sleeping, lounging, or just hanging out, he always takes a big stretch before taking his first steps.  One of yoga’s most common poses is taken from the insight of dogs:  adho mukha svanasana, downward facing dog.  On a pooch, it looks so luxurious, the long curved back, the full open chest, the expanded shoulders, and the wagging tail in the sky.  To us, it is often awkward to expose our bums to the sky, stiff on our shoulders, and tight in our hamstrings.  But, imagine if we did this pose everytime we got up from sitting, those feelings would subside over time, and we’d learn to love the pose as our doggies do.

We all snicker when dogs smell each other’s butts, but they are not ashamed of their bodies.  Us humans, on the other hand, tend to be a little shy about putting our bums in the sky, and thus hold back from a full stretch. It can take years of practice before one becomes fully comfortable in the full expression of down dog, and we may never get the naturalness of it that dogs have, but we can try.

In holding down-dog pose, we pull in at the belly (third chakra) to open and extend through the heart (fourth chakra).  Thus, we are working from our personal power (third chakra) to express through our love center (fourth chakra).  At the same time, we are developing a solidarity to our identity, that we are unashamed of even our most vulnerable of spots.  To add a bit of humor to the situation, all dogs know that everyone’s shit stinks, but they are more curious about how that smell is unique rather than “bad”.  We can learn a thing or two from these pups.  And so, I invite you to put your bum in the air, pull in your belly to be secure in your personal power, and open your heart the world.  Besides, it just feels good!

downdog assistedAnd if you really struggle, ask a teacher or assistant to give you a little push.  Borrowing a little support from someone else isn’t a no-no unless it becomes a crutch and develops into co-dependency.  A good clean assist in down dog can give us a taste of why dogs love this pose so much as to perform it several times a day. One day, if you haven’t already, you’ll find yourself craving that first (and last) down dog of your practice.  It’s the big sigh, the deep AHHH, the remembering who we are.

(photo by Sheryl Braun - http://www.soulshinephoto.net/)

Alignment

  • Always establish your foundation first (are you getting the theme of this newsletter yet???).  Plant the hands in big #5s on the mat with the pointer or middle finger straight ahead and dial them inward by pushing down and in (like you’re opening a child proof pill bottle).  Put the weight on the “triads” the space under the first finger and thumb knuckle pads to release the tension in the wrists.
  • Roll the forearms inwards while at the same time rolling the upper arms outward.  This “dual action” opens the space at the neck and shoulders and pulls the energy up the arm bones into the stronger muscles of the trunk, supporting the pose from your core instead of your limbs while at the same time sucking the muscles into the bones to protect your weight from falling into the more tender spots of your joints.
  • Draw your shoulder blades away from your ears, pulling more of the energy of the pose to the core of your body.  It all lies in the core baby…the CORE!!  By pulling out of the shoulder blades, the pectoral muscles can stretch and open, thus releasing the compassion and joy inside your heart (remember that playful puppy?)
  • Anchor your feet on the balls of your feet with gentle pressure into the heels to extend the achilles.  Your heels may never touch the ground.  There’s no prize for heels on the floor, so don’t fret about it.
  • Be careful not to get too caught up in the details of the pose, this can be done energetically by lifting your toes slightly.
  • Keep a soft bend in the knees at first.  This allows room to rotate the pelvis and play with your tail.  Explore the point where the hamstrings insert to the glutes by rotating at the pelvis to find a place where you feel properly supported - solid - yet open through the back of the legs.  From there, gradually work to straighten the knees.  Again, there’s no prize for straight legs.
  • At the same time as you feel supported by your legs, play with the rotation of the pelvis to find a solid connection between the root, sacral, and core chakra energies.  Pulling the pubic bone ever so slightly towards the lower rib cage, and pulling the rib cage slightly down and in will not only lengthen the spine, but activate the power center of your being and bring the center of gravity of the pose to be the focus of the pose.
  • Core baby…it’s all in the Core….remember that.  Establish the foundation first, then pull everything into the core, and the rest will fall into place.
  • One of the biggest mistakes in down dog is to overanalyze the alignment of the pose and get too caught up in the dual action opposite energies, and then you lose the whole essence of getting out of your head (which is below your heart by the way) and leading with your heart.  Canines feel their way into down dog naturally, so can you.
  • Let your body be your guide, not these convoluted heady alignment cues!

Modifications

  • In some cases, such as shoulder or wrist injury, full down dog is CONTRAINDICATED!  Please exercise caution, and consult your physician.
  • For extremely tight hamstrings, a slight bend of the knees is amazing.  You have to drop your ego (which tends to reside in the knees) to access the anxiety relieving quality of a good stretch in the hamstrings.  The insistence of locking the knees for people with tight hamstrings in this pose only stretches the backs of the knees (there’s that ego again) and doesn’t access the tenderness of the hamstrings, especially at the insertion point of the glutes.
  • For tender wrists (see alignment cue #1 above), place a folded towel under the heel of the hand to give a little lift at the wrist and put more of the weight into the knuckles of the hands.  Then, ask yourself, are you trying to control the pose too much?  Wrists are where we hold control issues.
  • A wonderfully tasty modification I call “Puppy Dog” gets all the energetic benefits without the extra strength and physical strain on the shoulders, wrists, or hamstrings.  “Puppy Dog” is like if Down Dog and Child’s Pose had a baby.  From Child’s Pose, lift your hips to ninety degrees (keeping your knees on the ground), then walk your hands forward to a full extension.  This way the weight of the pose is kept on the more stable knees and out of the shoulders and wrists entirely. You still get the length of the spine, have the capacity to work the strength of the core (third chakra) and the opening of the heart (fourth chakra).



Shoulderstand - Giving up the Burdens to Mother Earth

Friday, February 13th, 2009

shoulderstandThe first yoga pose I ever performed with any consistency was shoulder stand, only I didn’t know I was practicing yoga at the time.  I was a competitive synchronized swimmer in high school.  I used to hold my breath and swim upside down with my legs in the air, virtually performing variations of yoga poses in a swimming pool.  I remember spending hours with my duet partner choreographing routines in her living room with a boom box and a spiral notebook.  When we couldn’t determine if our legs could actually perform the stunts we imagined in our minds, we’d prop ourselves up into a form of shoulder stand and try to manipulate our legs into the positions of our imaginations. These sessions were always filled with lots of laughter, and were sometimes more fun than the competitions themselves.

Shoulder stand is often called, the mother, or queen of all poses.  An entire book  can be written on the benefits and purposes of this pose, so for the sake of conciseness, the descriptions here are limited to the benefits to expression, the throat chakra energy.

In shoulderstand, the feet are raised above the head, the hips above the heart, thus reversing the blood flow of the body.  As the weight of the body is held by the shoulders, a compression occurs at the throat.  This compression energetically folds the throat chakra on top of the heart chakra.  By connecting the power centers of the heart to the throat in this pose, the essence of communication is reminded that the best expression is that which comes from the heart, not the head.  Thus, the heart chakra, receiving the reverse flow of energy from the groundedness of the feet and all the lower chakras, feeds the throat chakra.  Energetically, in this pose you are “squeezing” out any excess energy from the throat chakra at the same time as feeding positive heart energy into the throat chakra.  Upon release of the pose, the fullness of the heart from the reverse blood and energetic flow will flush the throat physically and energetically, clearing away any stirred up toxin and replacing it with the loving power of the heart.

For more information, an awesome article on the benefits of inversions can be found here.

Alignment

  • Basic Alignment Shoulderstand RULE #1 - ONCE IN THE POSITION, DO NOT TURN YOUR HEAD.  Doing so may strain the neck and cause severe injury.  Be sure to center your gaze straight up, and square your head evenly between your shoulders.  Turning your head is like averting our attention from the point you are trying to make.  It only takes you off-topic, off-track, and off-center.
  • Remember, the three weak links of the body are the knees, low back, and neck.  This pose can compromise both the low back and the neck if not performed properly.  It is best to have a trained instructor guide you through this pose at first.
  • Support your lower back with your hands, gradually walking your hands “up” your back towards the shoulderblades.  Where you bring your hands (the hands represent “action”) is where you bring the focus. Thus, the closer your hands are to your heart center, the more focus on the purpose of the pose that happens.
  • Pull the shoulder blades towards each other at the same time as pulling them away from the ears.  This extends the cervical spine, or the neck, which is where we tend to store excess burdens and responsibilities that distract us from the true purpose or point.  By lengthening the neck, we are releasing excess burdens to get to the marrow or bottom line truth of the expression without all the excess “junk”.
  • Try to lift the neck and the cervical vertebrae off the floor, thus causing the weight of the pose to be held by the shoulders rather than the bones of the spine.
  • Contract the abdominal core muscles to elongate the spine.  This takes the weight of the pose out of the low back and pulls the hips off the rib cage.  It also supports the strength of the low spine.  Furthermore, this activates the core chakra of identity and “gut”.  Thus your expressions are guided more by your “gut” than by your thought process.  And it allows you to stand by your statements with integrity.

Modifications

  • For people with weak shoulders, bulging discs at the cervical spine, pregnant women (who have not developed a yoga practice), and women on their moon cycles, shoulderstand can be contraindicated.
  • Half shoulderstand, keeping a bend at the hips - the legs halfway between plough and shoulderstand, is an awesome modification for students who have not yet built up the strength to support full shoulderstand.
  • Viparta Karani - legs up the wall - is a great alternative when shoulderstand is contraindicated.
  • Placing a blanket under the shoulders can promote both comfort and widen the base of the pose.  Ask an instructor to guide you for proper placement of the blanket.



Frog Pose - Bekasana

Thursday, December 18th, 2008

Frog poseThe first time I ever tried frog pose was at a yoga bootcamp.  I’d never done more than a two hour yoga practice before, and here I had spent the entire day in hot and humid Mexico not enjoying the beach, but sweating in a yoga room, performing pose after pose, practicing, practice teaching, breaking down poses, ingesting, digesting, processing, constructing, deconstructing, balancing, breaking down, falling, standing, stretching, and pulling apart to putting back together pose after pose after pose.

Most of the class seemed to settle into frog pretty easily.  I struggled right from the start.  I tried doubling up my mat under my knees, rolling up a blanket under my knees, propping up on my elbows, stacking blocks under my chest, turning my head one way, then the other.  I had someone’s foot practically in my mouth, and I felt like my legs were about to pop off like my barbie’s did when I tried to make her do the center splits.  The teacher told jokes about frogs.  Students chimed in like it was a game.  I moaned, fidgeted, fussed, cried, screamed, itched, antsied, adjusted, readjusted, and never ever found a way to be still.  The only time I felt even a teensy bit of pleasure was when Charles told Baron to “Shut the F*&! Up!”  Charles was my hero then, but Baron didn’t listen.  All the while, my cute and super flexy husband next to me was laying flat, belly to the floor, with a look on his face that seemed like absolute bliss.  I told him I didn’t love him anymore.

This went on for thirty minutes.

Doing my time in frog pose wasn’t even close to the pinnacle of the experience for me.  The breakdown, or break through, or whatever it was, came after lunch the next day.  We were broken into four teams, and each team was supposed to come up with a team name that everybody on the team liked.  We were encouraged to speak up if we didn’t like something.  My team started throwing out ideas, I hated them all, and I wasn’t afraid to say so.  I tried to be kind about it, but after awhile, something just took over and I was Biotch-Queen.  Time was up, and the group settled on my least favorite selection.  I’ll never forget how cheesy and stupid I felt as Charles screamed “give me a Y” and my team echoed back to him through the entire chant of Yin-Yang Yogies.  I didn’t like Charles anymore after that.

It was about 2pm.   I walked out of the building to get some fresh air in the two minute break we had to set up for practice teaching after our stupid chants.  I never made it to practice teach.  Instead, I collapsed on the sand, curled up into a little ball in the sand and wished I could be a hermit crab.  I felt like my skin was being singed off my body at the same time as my vital organs were being burned out from the inside.  My teeth chattered like I was bitter cold, so hard that every bite felt like the dentist hitting a nerve.  I hyperventilated, I quit breathing, I gasped for breath, I stared off into space.  One of the assistants came to ask if I was okay, and I kicked at her, screamed at her to leave me alone.  Her touch on my skin felt like she was reaching right inside to pull out the marrow of my bones to keep for herself.  The pain, the emptiness, the anxiety, the fear, the loneliness, everything was just so overwhelming.  I couldn’t feel anything, and I felt everything all at the same time.

Then came the memories.

It was like they say in the movies, that you see your entire life flash before your eyes before you die.  I thought I was dying because my whole life was right there, but not like some movie screen, it was inside my body.  It was like every negative emotion, every physical injury, every illness, and every ailment I had ever experienced in my life were compounding in my body and my brain all at once.  I was no longer on the beach in Mexico, but I was on the asphalt road after I had been hit by a truck.  I was getting stitches in my head.  I was driving into oncoming traffic trying to commit suicide.  I remembered every negative experience of my life because I was reliving it all right there on the beach.

I no longer thought I was dying, but wished that I could die.  Or had I died, and this was hell?

I went in and out of consciousness like that for hours.  The assistants had long since stopped trying to talk me out of it or convince me to put my legs up the wall.  They had resigned themselves to taking shifts in watching me, from a safe distance.  Sometimes I would respond to them in mutters or whispers as they tried to talk to me, but then something they would say would always trigger another memory and send me back into my own personal hell.

Baron came to lead the evening yoga practice and stopped to talk to me in the sand.  I don’t remember what he said, or if I was even able to respond.  About an hour after that, one of the assistants managed to get me back into the yoga room for the end of the practice.

The rest of the night was a blur, but the next morning I was a new person.  Giddy, happy, joyful, playful, bouncy, ecstatic, enthused, sparkly, shiny, and bright.  We did frog every night.  It never got physically comfortable for me, but I was able to laugh at the stupid zen jokes.  I even kissed the big toe that was in my face.  And, I told my husband I loved him again.

Years later, practicing frog pose now brings the opposite effect to me.  I experience a state of complete ecstasy that erupts in the form of uncontrollable laughter, deep belly laughs, very uncharacteristic of my typical giggle.  If I’m in a class where the instructor holds frog pose for an extended time, it is not uncommon now for me to start this laughter (I can’t help it) and it becomes contagious throughout the room.  What was once the most dreaded pose I could ever imagine is now the most thrilling!

Frog pose gradually stretches the ligaments and tendons deep within the pelvic region.  This is where we store deep emotions.  In life, oftentimes emotion comes up at times where expression or processing of that emotion is either not possible at the time or not appropriate.  For example, often in times of trauma, such as a bad accident, out bodies protect us by going into shock, a state at which we do not feel the intensity of the pain that is occurring at the time (this was my case when I was hit by the truck).  But, that emotion and those feelings of pain must go somewhere, so they often hide in the hips, the pelvis.  Another trauma may release the pain at another time, or it may escape over time in little bursts.  Another example would be when we find something funny, but it is inappropriate to laugh out loud, or we deny ourselves laughter because we have been shamed to believe our laughter is “stupid” or “wrong”.  Thus, it is possible to hide feelings of joy and pleasure inside the pelvis as well.  Frog pose is a way to release those pent up emotions.  To process the pains, joys, pleasures, and traumas of our lives in a safe environment.  (Pigeon poses may also evoke such effects)

Alignment

  • Shape your legs like frog legs:  thighs at ninety degrees from torso, shins at ninety degrees from thighs, feet at ninety degrees from shins
  • Be sure to flex the feet outwards, this protects the knees
  • Tilt the pelvis to neutral, keeping the pubic bone pulled in to “uddiyana” - avoiding “duck butt”
  • Let gravity take the pose…this one pose where sinking into the ligaments of the joints is the intention…so let your muscles relax and surrender to the alignment

Benefits

  • Relaxes tension and tightness in the pelvis, which can be healing to strains on the low back
  • Releases pent up emotions
  • Processes old traumas
  • Promotes surrender
  • Teaches acceptance with what is

Modifications

  • For people with extremely tight or internally rotated hips, bad knees, or bad ankles, frog may be contra-indicated.  Try it laying on your back with legs in frog  up in the air.  Or try it like a wall-sit with back against a wall, squatting.
  • Hindi squat is a good option as well…but for some, flat feet on the floor is impossible
  • Variations of pigeon poses will have similar effects without the intensity
  • As noted in the testimonial above, Frog can have dramatic effects.  Be sure to practice this pose is a safe environment, and with people who are well aware of the possible effects who can “hold the space” appropriately

Twisting Triangle: Parivrtta Trikonasana

Monday, December 1st, 2008

twisting triangle

At a bootcamp once, Baron had us revolving from one side twisting triangle to the other, from facing the front of the room to facing the back, over and over again, on one breath each for a good fifteen minutes.  It must have been over a hundred rotations from right side to left side twisting triangle.  Talk about a dizzying experience!  I learned quickly to take my block with me and transfer it over my head.

While we were twisting and turning (some of us slipping and sliding away), Baron and his crew of assistants gave personal adjustments to every single student in the room.  Some of us were told to get out of our egos and use a block.  Others were literally anchored into the ground  as assistants stood on toes and pulled back hips.  Still others were twisted until our spines and shoulders popped and cracked.  All the while, I was singing Twist and Shout inside my head.

The next day, a very brave and vocal student raised her hand and asked Baron proudly, “Baron?  What’s with the diarrhea?”  The whole class giggled as Baron explained that the previous day’s practice had worked its magic.

There’s nothing like a long hold of twisting triangle to shut up the itty bitty shitty committee of my brain that rambles about everything and nothing and get me thinking only about what is happening at the precise moment in my body.  In fact, twisting triangle has a lot to say, sometimes long after the practice is over, constantly returning me to the full presence of being in my body and out of my head.

Twisting Triangle is deceptively difficult, thus offering a true experience in challenge.  In fact, it is probably the most complicated of poses used in the average yoga class, even more challenging than headstand.  Early in my practice, I thought this pose was rather simple.  I could easily reach my lower hand to the floor, turn my shoulders, and reach my upper hand to the sky —as long as I didn’t think about what my legs and hips and spine were doing.  Then, a master teacher adjusted me once from the hips, and I found my upper hand pointing almost parallel to the floor, but I felt something really new and different in my middle spine.  “Oh, that’s what a twist means!”

There’s a whole lot of physical alignments to think about while working twisting triangle, and it seems that with every adjustment I make, something else pops out of alignment.  It’s a constant tug of war, between the hips and the shoulders, the head and the low back, the front leg and the back leg, the upper arm and the lower arm.  If I square the pelvis, I lose some of the twist.  If I twist too far, I lose pelvic alignment.  If I reach my head forward, weight pushes off my back leg.  The whole pose is an exercise of never ever quite getting it just right…eventually it teaches the age old yogic lesson of the prize existing within the process.

Alignment

  • evenly distribute weight between both feet to establish solid grounding from the past (back leg), stepping into the future (front leg), establishing immediate presence in the now
  • square pelvis to front of the room, thus stretching deeply into the hamstrings and releasing anxieties about support, foundation, stability, and structure
  • push the pelvis toward the back of the room, affirming that all past experiences can serve as reference into future endeavors
  • rotate torso from lower belly, to mid-waist, to rib cage, and finally to shoulders and neck, thus tapping into the un-investigated flexibility of the spine and finding new hiding places for old feelings of inadequacy and self-doubt (twisting will push these negative emotions out - breath will allow for escape of these old pains)
  • keep shoulders and neck along the same plane as the hips & pelvis (USE A BLOCK) to prevent curvature of the spine - lengthening of the spine appeals to opening the cavities between the vertebrae, allowing for more hiding places to be revealed
  • open arms to full reception and expression of compassion and energy - this requires maintaining the ability to see both hands!  Once you lose vision of one or both hands, you are cranking unnecessarily on the shoulder joint, blocking flow of love and compassion to yourself and others
  • pull shoulders down and together, away from the ears to extend the vertebrae at the neck and to open the collar bone - this will help facilitate deeper breathing (which is always a little more challenged in twists) - and open up the flow of life force prana through the whole pose, bringing sukha surrender and relaxation to challenging efforting pose
  • rotate the neck to look to the ceiling, leading with the third eye.
  • Let the rotation of the pose come from the center core, the chest, and the forehead, thus being guided by your instinct, heart, and intuition

Benefits

  • challenges the ego/pride in the apparent “impossibility” of the pose
  • teaches the lesson of finding the prize in the process
  • shows the importance of full grounding and support as a pre-requisite for opening and expression
  • lengthens the spine - helps you to “grow up” and “grow long”
  • strengthens the legs - establishes stability in intention
  • opens the heart - facilitates compassion and forgiveness
  • cleanses the digestive system - rinses out deep old regrets, shames, and resentments
  • detoxifies the vital organs - promoting full function of all faculties
  • supports the value of modification for individual quirks, supports independence and individuality

Modifications

  • bend the front knee the release into the hamstrings and square the pelvis
  • lessen the twist to keep stability in squared pelvis
  • keep a block under the front hand to avoid over-curvature of the spine
  • look down to release tension on the neck
  • bring hands to hips to promote stability and release shoulder tension
  • bring feet closer together to build more stability and balance
  • keep upper hand on low back to guide pelvis to more square

Low Plank Pose - Chatarunga Dandasana

Sunday, November 2nd, 2008

low plankYears ago, when I first started teaching yoga, I taught a class to a high school football team.  When I started to teach sun salutations, they called the series “slow burpees.”  I had to stop the class and teach them the difference between “football push ups” and “yoga push ups” and they all groaned at the change in alignment. When I told them that yoga push ups use more core muscles than the arm muscles they have developed in football push-ups and weight training, one brave soul challenged me to a yoga push up competition.  Imagine his embarrassment when his friends called him on his alignment with his “chicken wing” elbows and named me the winner after just five push ups!  Their coach started assigning “yoga push ups” as punishment, and the boys were less likely to act-out during practice.

I recently saw a television commercial for rotating push-up handles that promise the “perfect push-up.”  Of course, the ad showed several well toned men (and one woman) performing the push ups with ease and grace.  It talked about how a US Navy Seal designed the tools using the latest in biomechanics and engineering with ultimate results. What I noticed though, was that as the handles rotated with each push-up, the elbows pulled into the side body setting the upper torso into “chatarunga dandasana pose”.  These “patent-pending” rotating handles were a way of teaching the body how to perform an ages old yoga pose!

In Sansrit, chaturanga translates to “having four limbs” and in epic poetry it often holds the meaning “army” from a battle formation mentioned in the Indian epic Mahabharata, referring to four divisions of an army:  elephants, chariots, cavalry, and infantry.  Dandasana means “staff pose”, thus chaturanga dandasana comes to mean “four legged staff pose”.  So imagine that this pose carries all the power and energy of the four limbs of an army, as solid as a staff, prepared for battle.  No wonder this pose is so physically challenging!  It requires drawing upon the power of elephants, the grace of movement of chariots, the mobility and offensive power of the cavalry, and the fitness, strength, and character of the infantry.

The first thing newer yoga practitioners say to me when I ask them to try the alignment of this pose is that they lack the arm strength, which makes perfect sense in that the word “army” comes from the same roots as the word “arm.”  However, to draw upon the four limbs of the army, one must access the energy of the entire being, particularly the power that resides in the torso and core.  When done properly, the arms in this pose serve mostly as a foundation, but the strength that holds the pose is found in the core.  As with any warrior, the armor (also from the root word for arm) is the external protection, but the true strength and power of the warrior comes from within, from the soul.

Alignment

  • when lowering from high push-up into low push-up, look forward to keep the neck in line with the spine.  The tendency is to want to look down at the hands, and this crunches the neck and shoulders and dumps weight into the low back.
  • looking forward also gives a slightly forward motion to the action, setting the elbows and wrists into perpendicular alignment to the floor.
  • hands are placed by the low waist, so the elbows align directly above the wrists
  • pull the elbows in to touch the ribs, avoiding “chicken wing” arms which puts excess pressure on the shoulder tendons and delicate wrist joints
  • push palms of the hands into the floor, especially at the “triad” (thumb and first finger joints)
  • draw the shoulder blades down the back to lengthen the cervical spine.  This pulls the strength of the pose into the torso and off the shoulder tendons
  • pull the belly (uddiyana) in and up to stablize the low back and lengthen the spine
  • tilt the pelvis so the pubic bone comes towards the throat and the tailbone goes towards the heels.  This stabilizes the spine into tadasana
  • squeeze the knees to activate the big quadricep muscles of the legs
  • tuck the toes under to connect the balls of the feet to the floor
  • push the heels back to lengthen through the hamstrings and activate the big muscles of the legs

Benefits

  • builds arm, shoulder, & wrist strength
  • creates an amazing sense of power and stability from the core
  • teaches about stabilizing from the core center, working from the Truth of being
  • develops a Warrior and Army power
  • sparks a sense of “I can do anything” conquering the impossible
  • opens up doors to all kinds of playful actions in pose transitions

Modifications

  • For beginners, the full version of low plank is very challenging.  To build strength, drop the knees to the floor and lower slowly.  Take this modification until you start to understand that the pose works from the core more than from arm strength
  • For those with wrist issues, using “Griptiz” or other handle-type tool can save excess pain.
  • A “cheater’s” method often taught in YogaFit is to stick the butt up a little higher and lower the shoulders a little lower.  This builds core strength and prevents sagging at the low back.
  • As beginner’s build strength, try working every other or every third chatarunga off the knees and lowering all the way to the floor slowly.
  • For temporary wrist pains, work on fists instead of flat palms.